By contrast, this week’s virtual DNC convention has met no cultural opposition. “WAP,” Megan Thee Stallion and Cardi B’s whore’s anthem, shows the degrading values that liberal pop musicians contribute to the DNC’s convention week. The DNC pop line-up, from John Legend to Billie Eilish, is banal. (Stephen Stills and Billy Porter’s drag-queen rendition of “For What It’s Worth” was worse than banal; it was ludicrous.) Stoking the ambiguous relation of rock music and pop culture to rebellion — minus the Beatles’ warning — makes celebrity support of protests, violence, and anarchy absolutely, well, revolting.
Broadway’s Phillipa Soo, the token Asian playing one of the Schuyler sisters trio in Hamilton, recently advocated revolution, just like the clueless hippies who misunderstood John Lennon’s reservations as a rallying cry. While promoting her latest commercial project, Soo boasted that she was first inspired by Hamilton’s “We’re in the greatest city in the world” lyric but recently favors a different trope: “Revolution is messy, but now is the time to stand up.” This misconstrued sense of American history is absolutely in synch with Hamilton. Even worse, Soo’s comment on revolution paralleled that of congressional “Squad” member Ayanna Pressley, who vowed to MSNBC, “We need unrest in the streets. There needs to be unrest in the streets as long as there’s unrest in our lives.”
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